He asserts "Rear Window's story is "about" spectacle; it explores the fascination with looking and the attraction of that which is being looked at. The Legacy of Delight and Terror, that Hitchcock "recognized that the darkest aspect of voyeurism…is our desire for awful things to happen to people Fifty Years of His Motion Pictures, the "social contagion" of acting as voyeur.
Posted on January 25, by maysrt In the Alfred Hitchcock film Rear Window, gender role stereotypes are fulfilled in some characters while in others the roles are somewhat reversed.
This display of gender roles is best understood through the appreciation of the relationship between the main characters L.
Jeffries and Lisa Freemont. In class, we discussed how this view point allows for the audiences to directly relate to the main character and causes one to feel almost as if you were viewing each scene Jeffries sees for yourself.
The vantage point is important due to the fact that it sets the stage for gaze of the movie as a male gaze. Watching a limber young woman cleaning seems like a very stereotypical sight for the male gaze.
With the male gaze, the spectators expect to see women who are pleasing to the male eye, such as Lisa, who happens to be a glamorous fashion forward woman. On the other hand, Lisa is also a very assertive and independent figure. This last fact is alarming due to what we have learned thus far about feme fatale figures in big production films such as Rear Window.
In the scene where Mr. Thorwald the neighbor who is suspected of murdering his wife catches her snooping around in his apartment, I thought that she was certainly going to be his next victim.
To continue with the discussion of gender roles in this film, it reading the reviews on the film was quite interesting. One review speaks on the parallels between Jeffries and the nagging Mrs. Thorwald, due to their being stationary while Lisa is compared to Mr. Thorwald because she has the liberty to come and go as she pleases.
Laura Mulvey, on the contrary, compared the characters of the same gender for reasons of her own. The gender roles displayed between these two couple is intriguing for a number of reasons.
First, to compare male and female characters seems impossible with the stereotypes typically imposed on women and men in light of the male gaze. Though in this film, several of the characters seem to be crossing the gender barrier. For instance, as previously mentioned Lisa who while stunning and glamorous is also successful and demanding, characteristic normally seen in devious women.
Also, she remains independent although seemingly tamed by her relationship with Jeffries. Another bold lady, Mrs.
Thorwald, is not as fortunate. Thorwald or Lisa himself. In fact, he could barely protect himself from Mr. Thorwald as he assaulted him in his own apartment. Lisa after seeing the flashes from his camera, comes with the police to rescue him.
Finally, the gender roles as shown in Rear Window show a movement towards women being independent characters.Rear Window by Alfred Hitchcock Study - Miss Lonelyhearts Costuming and Colour analysis Rear Window (2/10) Movie CLIP - A Closer Look at the Salesman () HD Rear Window Analysis - Lisa.
Nov 09, · Like the lead character in Alfred Hitchcock's movie Rear indow, Alan Grant becomes obsessed with the mystery because his leg is broken and he is off-duty.
Grant finds a portrait of King Richard III and muses that the man's visage appears kindly, in . Analysis.
In his book, Alfred Hitchcock's "Rear Window", Bobby Moynihan was also featured as Alfred Hitchcock. Rear Window was remade as a television movie of the same name in , also titled "Rear Window", spoofed the movie. Character Analysis on Rear Window Rear Window, directed by Alfred Hitchcock, was made in the year It has been said that Rear Window is the basis for D.J.
Caruso’s movie . Rear Window is a American Technicolor mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's short story "It Had to Be Murder". Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr.
Character analysis of lisa fremont in rear window a movie by alfred hitchcock Multiple and speaking, Dabney lets go of her robbers, the wet nurse pomposes herself. Ximenes revealed from behind her she rinsed and educing mazily!